End of the Road Stratocaster (white with black scratchplate)
Have you always wanted to do a Townshend and smash your axe?
Do you have dreams of being like Jimi and setting your guitar alight?
Are you just too worried that you'll never be able to play it again?
Don't fear, Devil & Sons have been there and done that for you!
Made from new components, with a road worn and damaged appearance, the End of the Road guitars play like untouched guitars.
Have you always wanted to do a Townshend and smash your axe?
Do you have dreams of being like Jimi and setting your guitar alight?
Are you just too worried that you'll never be able to play it again?
Don't fear, Devil & Sons have been there and done that for you!
Made from new components, with a road worn and damaged appearance, the End of the Road guitars play like untouched guitars.
Have you always wanted to do a Townshend and smash your axe?
Do you have dreams of being like Jimi and setting your guitar alight?
Are you just too worried that you'll never be able to play it again?
Don't fear, Devil & Sons have been there and done that for you!
Made from new components, with a road worn and damaged appearance, the End of the Road guitars play like untouched guitars.
Serial number: EOTR07
Body: Artic White, Basswood
Scratch Plate Colour: Black
Pickup and Control Knob Colour: Black
Hardware: Chrome
Scale: 25.5” (648mm)
Width at Nut: 1.65” (41mm)
Neck: Maple 9.5” Radius (241mm), Laurel fingerboard, 21 Medium Jumbo Frets, real screw fret markers
Bridge: Fixed (the tremolo arm is for aesthetics only), sting through body
Pickups: x single coil Strat (centre pickup is unwired and for aesthetics only)
Controls: 3 way toggle (neck – both - bridge), master volume, individual tone control for each pickup
"One quick glance at the Devil & Sons Guitar Company’s “End of the Road” series and you’ll think you’re looking at the charred ashes of Jimi Hendrix’s guitar from Monterey.
A closer look, however, will show a skilful and detail-oriented process that repositions the neck and bridge along with twisting headstocks and cutaway horns. ... And it looks smashed.
They also take relic’ing to its illogical conclusion.
There can be none-more-relic’d!"
- Shane Speal, Guitar World
